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	<title>NewMusicBox</title>
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	<link>http://www.newmusicbox.org</link>
	<description>A Web-based advocacy magazine and portal dedicated to the music of American composers and improvisers and their champions.</description>
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		<title>Don&#8217;t Miss a Beat: Adventures with the Berkeley Symphony</title>
		<link>http://www.newmusicbox.org/articles/dont-miss-a-beat-adventures-with-the-berkeley-symphony/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dont-miss-a-beat-adventures-with-the-berkeley-symphony</link>
		<comments>http://www.newmusicbox.org/articles/dont-miss-a-beat-adventures-with-the-berkeley-symphony/#comments</comments>
		<pubDate>Fri, 18 May 2012 15:55:23 +0000</pubDate>
		<dc:creator>Sidney Chen</dc:creator>
				<category><![CDATA[Field Reports]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Bay Area]]></category>
		<category><![CDATA[concert review]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[world premieres]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=14404</guid>
		<description><![CDATA[Chicago conductor Edwin Outwater steps in for an injured Joana Carneiro to lead the world premiere of <em>Holy Sisters</em>, a Berkeley Symphony commission from Gabriela Lena Frank, for orchestra, soprano Jessica Rivera, and the San Francisco Girls Chorus.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The &#8220;E&#8221; Word</title>
		<link>http://www.newmusicbox.org/articles/the-e-word/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-e-word</link>
		<comments>http://www.newmusicbox.org/articles/the-e-word/#comments</comments>
		<pubDate>Fri, 18 May 2012 15:42:17 +0000</pubDate>
		<dc:creator>Rob  Deemer</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[education]]></category>
		<category><![CDATA[entrepreneurism]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=14418</guid>
		<description><![CDATA[Feasibility, relevancy, and sustainability will continue to raise their ugly heads as the three primary concepts that are endemic in composition education today, and all three point to the necessity of emphasizing entrepreneurial skills throughout a student’s time in school.]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Another Night Out In New York</title>
		<link>http://www.newmusicbox.org/articles/another-night-out-in-new-york/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=another-night-out-in-new-york</link>
		<comments>http://www.newmusicbox.org/articles/another-night-out-in-new-york/#comments</comments>
		<pubDate>Fri, 18 May 2012 15:33:06 +0000</pubDate>
		<dc:creator>Ratzo B. Harris</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Betty Carter]]></category>
		<category><![CDATA[finding your musical identity]]></category>
		<category><![CDATA[jazz vocalists]]></category>
		<category><![CDATA[venues]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=14412</guid>
		<description><![CDATA[Wednesday was the birthday of Betty Carter, one of the best American musicians of the 20th century, whom I had the honor of working for in the late '70s. My wife and I celebrated by going to hear two fantastic singers: Fay Victor and Teri Roiger.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Swell to Positive</title>
		<link>http://www.newmusicbox.org/articles/swell-to-positive/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=swell-to-positive</link>
		<comments>http://www.newmusicbox.org/articles/swell-to-positive/#comments</comments>
		<pubDate>Thu, 17 May 2012 19:02:40 +0000</pubDate>
		<dc:creator>Alexandra Gardner</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[organ]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=14394</guid>
		<description><![CDATA[I recently had the wonderful opportunity to receive a demonstration of, and experiment a bit with, the Watjen Concert Organ of Benaroya Hall in Seattle, Washington.]]></description>
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		<slash:comments>1</slash:comments>
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		<title>New England’s Prospect: Yard Work</title>
		<link>http://www.newmusicbox.org/articles/new-englands-prospect-yard-work/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=new-englands-prospect-yard-work</link>
		<comments>http://www.newmusicbox.org/articles/new-englands-prospect-yard-work/#comments</comments>
		<pubDate>Thu, 17 May 2012 17:26:45 +0000</pubDate>
		<dc:creator>Matthew Guerrieri</dc:creator>
				<category><![CDATA[Field Reports]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Boston]]></category>
		<category><![CDATA[concert review]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=14365</guid>
		<description><![CDATA[Harvard University is inextricably associated with the Boston Area, yet is also just a bit oblique to it, like a secular Vatican City maintaining its sovereignty within a Hub version of Rome. The musical orthodoxies it hands down at a roughly generational pace, too, manage to track compositional trends while still standing apart from them.]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Great Expectations: The Challenge of New Music In New Spaces</title>
		<link>http://www.newmusicbox.org/articles/great-expectations-the-challenge-of-new-music-in-new-spaces/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=great-expectations-the-challenge-of-new-music-in-new-spaces</link>
		<comments>http://www.newmusicbox.org/articles/great-expectations-the-challenge-of-new-music-in-new-spaces/#comments</comments>
		<pubDate>Wed, 16 May 2012 15:53:39 +0000</pubDate>
		<dc:creator>Dustin Soiseth</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[Articles]]></category>
		<category><![CDATA[Bay Area]]></category>
		<category><![CDATA[indie-classical]]></category>
		<category><![CDATA[venue]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=14303</guid>
		<description><![CDATA[When new music groups perform in rock clubs and other similar venues they are counting on these spaces to recontextualize what they do. But what about the venues that make this recontextualization possible? How do their priorities differ from those of more traditional venues? They are an essential part of this trend, but do they know it?]]></description>
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		<title>Who Cares If You Call It Indie Classical?</title>
		<link>http://www.newmusicbox.org/articles/who-cares-if-you-call-it-indie-classical/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=who-cares-if-you-call-it-indie-classical</link>
		<comments>http://www.newmusicbox.org/articles/who-cares-if-you-call-it-indie-classical/#comments</comments>
		<pubDate>Wed, 16 May 2012 14:39:05 +0000</pubDate>
		<dc:creator>Isaac Schankler</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[genre]]></category>
		<category><![CDATA[indie-classical]]></category>
		<category><![CDATA[labels]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=14347</guid>
		<description><![CDATA[So the term “indie classical” seems to be ascending in popularity, along with the requisite hand-wringing about what it means, whether or not it’s a good thing, and whether or not it’s even worth thinking about. ]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Oh, the Ironing!</title>
		<link>http://www.newmusicbox.org/articles/oh-the-ironing/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=oh-the-ironing</link>
		<comments>http://www.newmusicbox.org/articles/oh-the-ironing/#comments</comments>
		<pubDate>Tue, 15 May 2012 14:52:43 +0000</pubDate>
		<dc:creator>David  Smooke</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[concert preparation]]></category>
		<category><![CDATA[rituals]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=14355</guid>
		<description><![CDATA[Before a big event, it’s important to take a few minutes to iron my shirt. I know this tip seems trivial to the point of ridicule; however, it’s actually an important part of my routine. At a premiere, a million things can go wrong, and I take great comfort in knowing that there is this one small aspect of the performance that I can control.  ]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Games Played: Journey</title>
		<link>http://www.newmusicbox.org/articles/games-played-journey/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=games-played-journey</link>
		<comments>http://www.newmusicbox.org/articles/games-played-journey/#comments</comments>
		<pubDate>Tue, 15 May 2012 14:46:02 +0000</pubDate>
		<dc:creator>Dan  Visconti</dc:creator>
				<category><![CDATA[Listen]]></category>
		<category><![CDATA[innovation]]></category>
		<category><![CDATA[interactive]]></category>
		<category><![CDATA[video games]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=14322</guid>
		<description><![CDATA[It might be more accurate to consider <em>Journey</em> as a musical composition with interactive video element, rather than as a barely challenging game with a fantastic and lovingly created underscore. ]]></description>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>Engaging All the Senses</title>
		<link>http://www.newmusicbox.org/articles/engaging-all-the-senses/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=engaging-all-the-senses</link>
		<comments>http://www.newmusicbox.org/articles/engaging-all-the-senses/#comments</comments>
		<pubDate>Mon, 14 May 2012 21:40:02 +0000</pubDate>
		<dc:creator>Frank J. Oteri</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[dim sum]]></category>
		<category><![CDATA[perfume]]></category>
		<category><![CDATA[sensory perception]]></category>
		<category><![CDATA[Spring for Music]]></category>
		<category><![CDATA[Whitney Biennial]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=14333</guid>
		<description><![CDATA[Usually I attend art exhibitions, restaurants, or perfume shops and contemplate how much music presenters can learn from what these other communities do. But this time around, the music people totally got it right.]]></description>
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		<slash:comments>2</slash:comments>
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